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MOVING IN STEREO: DISPLAY WEEK GOES 3D
WITH SPECIAL SESSION ON 3D IN CINEMA
Presenters from DreamWorks, Dolby
Laboratories, Quantel, RealD, Sony Imageworks and 3ality
Digital Systems to Share the State of the Art and the
Cutting-edge Future of 3D Movies on May 21, 2008
SAN JOSE, Calif., April 23, 2008-The Society for
Information Display (SID), the leading global organization
dedicated to the advancement of electronic-display technology,
today announced a unique 3D technology-focused addition to its
program lineup for Display Week 2008, May 18-23, 2008, at the
Los Angeles (Calif.) Convention Center. The Special Session on
3D in Cinema, slated for Wednesday, May 21, will feature
invited talks from leading experts in the field, on topics
spanning the full 3D movie process-from content creation
(animation and live action) and editing, to post production
and theatrical display.
Leading 3D technology and experience provider RealD will
provide stereoscopic projection equipment and viewing glasses
for audience members, enabling speakers to screen illustrative
clips. DreamWorks Animation, Dolby Laboratories, Quantel, Real
D, Sony Pictures Imageworks and 3ality Digital Systems will
present at the session.
The session topic is timely, given viewer attendance at 3D
versions of recent films such as Beowulf and Hannah
Montana/Miley Cyrus: Best of Both Worlds. Both generated
record-breaking per-screen averages from 3D locations,
delivering eight times the box office revenues of theaters
showing the films in standard format. Moreover, conversion to
digital cinema technology continues to escalate rapidly,
according to U.K.-based Dodona Research. The cinema-focused
consulting and research firm estimates that by 2013, half of
all cinema screens worldwide will have converted to digital
technology from traditional 35mm projectors, whereas about 5
percent of the global total had made the conversion as of late
2007. And, Dodona emphasizes, 3D will serve as the driver for
this explosive growth.
According to the 3D in Cinema session co-chairs, Brian
Berkeley and Brian Schowengerdt, "Today's 3D experience
isn't, as they say, your grandparents' 3D movie. Some people
still associate 3D with the gimmick-filled horror films that
first emerged in the 1950s, but the technology today is both
more impressive and more subtle. To truly appreciate it, you
have to not only see it but understand how it works, as
well."
To help Display Week attendees gain this in-depth
understanding, SID created the 3D in Cinema session, inviting
speakers who are working at the cutting edge of contemporary
3D moviemaking to explain how the characteristics of 3D
display technologies shape every aspect of the movie creation
process. Topics and speakers for the session will include:
- It's Not Real Life: Stereoscopic Content Creation -
Phil McNally, DreamWorks Animation
- Adapting "3D" CG Films for "3D"
Presentation: The Technique and Technology - Rob Engle,
Sony Pictures Imageworks
- Stereoscopic Live Action: Content Capture and Post
Production - Steve Schklair, 3ality Digital Systems
- Post Production for Stereoscopic Movies - Norman
Rouse, Quantel
- Making 3D An Integral Part of Today's Cinema
Experience: A Pragmatic Approach - Jeff McNall, Dolby
Laboratories
- 3D Exhibition in the Digital Age: Bringing a New
Dimension to Entertainment - Rod Archer, RealD
Throughout the presentations, session attendees will be
treated to clips of such 3D features as Beowulf, Chicken
Little, Meet the Robinsons, Monster House, The Polar Express and
U2 3D. These and other 3D pictures have each played a
part in helping digital cinema continue to move to the next
level. The 3D in Cinema special session will kick off with a
luncheon keynote address by Andy Hendrickson, VP of technology
for Walt Disney Animation Studios, who will delve into the
evolution of display technology and the various
display-related challenges and opportunities specific to the
entertainment industry.
Jeremy Devine, vice president of marketing for Dallas-based
Rave Motion Pictures, the United States' largest digital-only
movie exhibition company, noted that revenues for 3D features
can be up to three times those generated by a 2D film.
"If you didn't have the killer app of 3D cinema, digital
would be limited to running other alternative content, like
operas, rock concerts, some sporting events, and some animated
and anime products coming down the pike. The reality is that
the return on those has simply not been as dramatic as 3D, so
it probably would have slowed our adoption process," said
Devine.
The technology has implications beyond the movie theater,
as well. Gamers have embraced stereoscopic 3D in rapidly
growing numbers, as evidenced by the popularity of
stereoscopic 3D certification and advocacy group Meant to be
Seen (MTBS)-its year-old website has more than 3,000
registered members and 10,000 unique visitors a month. Other
markets poised to make the shift to 3D digital within the next
few years include home entertainment and professional
displays.
The 3D in Cinema special session will be held in the L.A.
Convention Center on Wednesday, May 21, from 2:15 p.m. to 5:15
p.m., with a question-and-answer period to follow. The cost to
attend is included in the fee for the Symposium technical
program, which features additional sessions on 3D display
technologies and applications ("3D Applications and
Measurement Techniques" from 3:40 p.m. to 5:00 p.m. on
Tuesday, May 20; "Novel 3D Displays" and
"Stereoscopic Displays" from 9:00 a.m. to 12:00 p.m.
on the morning of the Special Session; and "3D Integral
Imaging and Autostereoscopic Displays" from 10:40 a.m. to
12:00 p.m. on Thursday, May 22). For those not attending the
full Symposium, the session registration cost is $100. More
information, including synopses of each talk, is available at http://www.sid.org/conf/sid2008/program/3d.html.
Media interested in attending the 3D in Cinema special session
or Display Week in general, please contact Marie Labrie at mlabrie@mcapr.com.
ABOUT DISPLAY WEEK 2008
The 46th SID International Symposium, Seminar and Exhibition,
dubbed Display Week 2008, will take place Sunday, May 18,
through Friday, May 23, 2008, at the Los Angeles Convention
Center. Display Week is the premier international gathering of
scientists, engineers, manufacturers and users in the field of
electronic information displays. For more information on SID
2008, visit www.sid2008.org.
ABOUT SID
The Society for Information Display (SID) is the leading
international professional society exclusively devoted to the
advancement of electronic-display technology, manufacturing,
and applications. Its international headquarters are located
at 610 South Second Street, San Jose, Calif. Visit SID online
at www.sid.org.
# # #
Note to Editors: A quote sheet of relevant comments from
slated speakers follows {or is available upon request}.
SOCIETY FOR INFORMATION DISPLAY (SID)
DISPLAY WEEK 2008
3D IN CINEMA SPECIAL SESSION PRESENTER QUOTES
3ALITY DIGITAL SYSTEMS
"The word 3D conjures up images of the theatrical
misfires of the 50's and the 70's. The technology now exists
to create live action content in both the movie and broadcast
worlds in a manner acceptable to working professionals. There
are tools and techniques that have eliminated the black magic
associated with 3D in the past, and content can be created
that is comfortable and compelling to watch with no
limitations on viewing time. This can be done in pre-recorded
material, and in a live broadcast environment. Digital
technologies have enabled the solutions in both acquisition
and exhibition."
- Steve Schklair, Founder and CEO
DREAMWORKS ANIMATION
"The poetry of cinematography is that filmmakers can
actually represent a spatial world in a flat environment. Now
we're at the point where we need to convert flat space into a
movie space while realizing that there are different levels of
comfort that one can tolerate in the real world versus in the
theater. So, we're in a new interpretation phase, which I call
a "3D-to-3D conversion" process. That's really what
we're doing-capturing real-life space and manipulating that
into a 3D movie space."
- Phil McNally, Global Stereoscopic
Supervisor
DOLBY
"The certainty of 3D is here. This conference session
explores how innovations in 3D affect content creation,
mastering and exhibition technologies. We are all focused on
delivering the next level of entertainment to our audience-and
this includes more than feature films and animations. 3D will
quickly become an integral platform for live-action and
alternative content such as sporting events and
concerts."
- Jeff McNall, 3D Cinema Product Manager
REALD
"This session will help the display community realize
that, at least on the cinema side, 3D is coming, and is pretty
unstoppable. That will, hopefully, get them to think about
what that will mean eventually for entertainment and
professional displays-those technologies will eventually have
to accommodate stereoscopic imaging as well. The marketing,
engineering and business people in the display companies are
fairly aware of what has to happen technically to move this
forward, so I'm hoping this symposium can really illustrate to
this industry how important the stereoscopic business will be
in the future."
- Rod Archer, Vice President, Engineering
QUANTEL
"People need a sense of history. Very, very strong
arguments were used against sound and color, and looking back,
how ridiculous was that? We don't see applications where you
wouldn't use stereo in some form at some point in the future.
After all, most of us have two eyes, so when people say that
stereo will only be suitable for certain applications, you
ask-which applications do humans routinely close one eye
for?"
- Norman Rouse
SONY PICTURES IMAGEWORKS
"Imagine if we had stereo camera phone and you could
have a stereo telephone conferencing, or if the desktop on
your computer was actually dimensional. As 3D gets better and
cheaper, it will be everywhere."
- Rob Engle, Senior Stereographer and Digital
Effects Supervisor
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